{"id":386,"date":"2011-11-24T12:43:55","date_gmt":"2011-11-24T11:43:55","guid":{"rendered":"https:\/\/www.jaermuseet.no\/garborgsenteret\/zetlitz-inn-i-den-jaerske-kanon\/"},"modified":"2017-11-15T13:15:33","modified_gmt":"2017-11-15T11:15:33","slug":"zetlitz-inn-i-den-jaerske-kanon","status":"publish","type":"post","link":"https:\/\/www.jaermuseet.no\/garborgsenteret\/zetlitz-inn-i-den-jaerske-kanon\/","title":{"rendered":"“Zetlitz inn i den j\u00e6rske kanon”"},"content":{"rendered":"

Terje Torkildsen er mest kjent som komikar og skodespelar, blant anna fr\u00e5 Mongoland, Alt for Egil og Monstertorsdag. Han er \u00f2g ein prisbel\u00f8nt ungdomsbokforfattar. Men no syner han eind\u00e5 ei side av seg, litteraturvitaren. Onsdag 30.11. kjem han til Garborgsenteret for \u00e5 snakka om Jens Zetlitz. Me tok ein prat med mannen som b\u00e5de har skrive hovudfagsavhandling og teaterstykke om diktaren.<\/p>\n

Det er nemleg 250 \u00e5r sidan Zetlitz vart f\u00f8dd; men s\u00e5 langt har han fyrst og fremst figurert i stavangerske samanhengar – der han var f\u00f8dd inn i ein borgarleg familie med sterke band til dei Kielland.<\/p>\n

Studenten Zetlitz var eit leiande medlem av Det norske selskab i K\u00f8benhavn, og seinare vart han sokneprest i Vikedal; men sine mest produktive \u00e5r hadde han p\u00e5 Lye. D\u00e5 han kom heim fr\u00e5 K\u00f8benhavn, gifta han seg med prestedottera Elisa og flytta til hennar heimstad Lye, der han p\u00e5 1790-talet arbeidde som kapellan. Forholdet til Elisa var ei av tidas store kj\u00e6rleikssoger, lyrisk skildra av Zetlitz sj\u00f8lv.<\/p>\n

“Han var\u00a0kanskje Rogalands\u00a0fyrste ordentlege forfattar,” seier Torkildsen. “Han publiserte verka sine p\u00e5 ordentlege forlag. B\u00f8kene vart bestseljarar, og Zetlitz sj\u00f8lv ein kjend mann. Visene var sunge i heile Danmark-Noreg.”<\/p>\n

P\u00e5 1790-talet, medan han budde p\u00e5 Lye, publiserte han mange av dei mest kjende salmane sine – men han gav ut kvardagssongar \u00f2g.<\/p>\n

“Det er j\u00e6rske ord og uttrykk i annakvar setning.” Torkildsen legg til at sj\u00f8lv om Zetlitz er mest kjend for salmar og viser, s\u00e5 var han fyrst og fremst ein ivrig og dyktig folkeopplysar. “Det \u00e5 skriva kvardagssongar og drikkeviser var ikkje motstridande med det \u00e5 dikta salmar og vera prest. Zetlitz kombinerte kunnskap med glede, han ville gjera livet enklare, betre og hyggelegare. Han hadde auge for dei som var vanskelegstilt. Han la mykje vekt p\u00e5 eit element me i dag oppfattar som noko moderne – nemleg toleranse. For \u00e5 n\u00e5 fram til alle med bodskapen sin, varierte han stilen etter mottakarar og sjanger. Kall han gjerne virtuos.”<\/p>\n

For \u00e5 n\u00e5 alle, ville Zetlitz at songane skulle syngast b\u00e5de i stova, p\u00e5 arbeidet og i kyrkja.<\/p>\n

“J\u00e6rbonden og andre skulle vera stolte over det dei hadde. Zetlitz var ein viktig del av den folkeopplysingsb\u00f8lgja som\u00a0f\u00f8rte fram mot\u00a01814. Slik sett har tekstane ikkje berre litter\u00e6r verdi, men og historisk verdi.”<\/p>\n

Han fortel vidare at Zetlitz vart verdsett av samtidas intellektuelle.<\/p>\n

“Han var den f\u00f8rande gestalten i det me kallar Det norske selskaps “s\u00f8lvalder”, det vil seia generasjonen etter Johan Herman Wessel og Johan Nordahl Brun. Zetlitz var ein glad mann, trass i mykje motgang p\u00e5 det personlege planet. Det \u00e5 spreia glede – gjennom alt fr\u00e5 drikkeviser til prestegjerning – var eit element han hadde med seg fr\u00e5 K\u00f8benhavn. Men han vart p\u00e5 eit vis st\u00e5ande der, i opplysningstida, medan den kulturstr\u00f8mninga me kallar “romantikken” melde sin ankomst. Zetlitz var den siste klassisist. Han hadde ingenting til overs for Sturm und Drang og Goethes Den unges Werthers lidelser. Slike tekstar hadde ikkje nokon folkeopplysningsfunksjon og difor l\u00e5g verdi, meinte Zetlitz. Men han forsto at songane m\u00e5tte fenga, og det klarte han nesten alltid.”<\/p>\n

Torkildsen fortel brennande engasjert om forbildet sitt. Det \u00e5 kombinera humor med viktigare ting, er viktig ogs\u00e5 for han. S\u00e5 d\u00e5 ligg det vel djupe, gjennomstr\u00f8ymande \u00e5rsaker bak denne besettande interessa for Lye-diktaren?<\/p>\n

“‘Nei nei nei,” seier Terje Torkildsen, “eg gjekk berre p\u00e5 skule i Jens Zetlitz’ gate og vart litt nysgjerrig.”
\nSkrive av \u00d8rjan Johansen<\/span><\/p>\n","protected":false},"excerpt":{"rendered":"

\"Portrett_Phillip_Tornes\"“Det er viktig at j\u00e6rbuen oppdagar Jens Zetlitz for alvor,” seier Terje Torkildsen.<\/p>\n","protected":false},"author":17,"featured_media":604,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":""},"categories":[13],"tags":[],"class_list":["post-386","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-nytt-fra-garborgsenteret","featured-image-size-large"],"acf":[],"yoast_head":"\n"Zetlitz inn i den j\u00e6rske kanon" - Garborgsenteret<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/www.jaermuseet.no\/garborgsenteret\/zetlitz-inn-i-den-jaerske-kanon\/\" \/>\n<meta property=\"og:locale\" content=\"nn_NO\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\""Zetlitz inn i den j\u00e6rske kanon" - 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